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Tag Archives: anti-Dickian

on Robocop

by Rob Friesel

When you walk away from Robocop, there is a temptation to describe it as a Dickian film. Certainly the elements seem to be there:  a man with a subsumed identity and a concealed past, struggling against forces larger than him–perhaps even controlling him–in a bleak dystopian future setting.  The looming megacorporation that wipes out his […]